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Nicole Scherzinger is what entertainment industry executives call "a triple threat." This free-spirited artist is not just another pretty face; she can sing, act, AND dance. In a business that has been criticized for placing more emphasis on "image" than "ability" she shatters stereotypes with her blend of exotic beauty, charisma, and undeniable talent.
Scherzinger, who is of Hawaiian-Russian-Filipino descent, knew from a young age that she was destined to become an entertainer; performing is in her blood. Born in Honolulu, Hawaii, as a child she watched her family of entertainers perform Polynesian shows featuring her mother as the lead hula dancer and her grandmother, Tutu, as the singer. At the age of six her family relocated to Louisville, Kentucky. Transitioning from island life was a new challenge for Nicole. "It was difficult at first because I didn't look like everyone else", she recalls, feeling at times like the ugly duckling.
Growing up, Nicole attended performing arts junior and senior high schools. At 14 her first professional play was at the prestigious Actors Theatre of Louisville. While attending Wright State University in Dayton, OH, she majored in theatre and minored in dance, garnering such lead roles as Velma Kelly in "Chicago" and Julie LaVerne in "Show Boat", supporting herself with local modeling jobs.
Nicole then learned the rock band Days Of The New was looking for a female vocalist. Soon after hearing the demos she recorded with lead singer, Travis Meeks, the band's producer Scott Litt called her out to L.A., where she recorded their second album and set out on the road to tour with them.
After touring she returned home to work on her own music. However auditions for WB's talent series "Popstars" had her driving to Chicago, joining an audition line at five a.m. but would soon pay off. Eden's Crush, the girl group that resulted from "Popstars," was a sensation. Its 2001 self-titled debut album went Top 10 and the single "Get Over Yourself" went to #1 on Billboard's singles chart. In its year-plus together, the band toured with N*Sync and Jessica Simpson.
After Eden's Crush, Nicole explored opportunities in the acting world. Back in LA, she landed acting roles in feature films such as "Chasing Papi" and guest-starred in television series such as "My Wife and Kids."
It wasn't long until she heard that The Pussycat Dolls were looking for singers and she landed the coveted spot for PCD. "The Pussycat Dolls have no boundaries," says Scherzinger, who also wrote on the soon to be released album. "We continue to stretch and find ourselves in every performance. We do what is truthful for each of us." While it is obvious she has everything it takes to be a career artist, it is Nicole Scherzinger's unbridled passion to express herself musically that intrigues and inspires her growing legion of fans.
Carmit Bachar
Carmit Bachar, the fire-hot redhead, is as talented as she is beautiful. Her mother is of Dutch/Indonesian descent and her father is Israeli. Being a native of Los Angeles and coming from a family of entertainers has led her down the path of working with some of the most successful artists in music: No Doubt, Beyonce, P. Diddy, Macy Gray and Janet Jackson to name a few. She has numerous feature film and commercial credits - her "bon-bon" was most recognized as Ricky Martin's La Vida Loca girl! Carmit is one of the most respected dancers and choreographers in the business.
Not to be limited to just one genre, she attended Hamilton Academy of Music, in order to hone her sultry voice and piano chops. She was also a rhythmic gymnastics national team member and placed 5th at the '92 Olympic Trials.
Carmit has been putting her heart and soul into the Dolls since the underground movement began. "Individual personality makes this group sassy," she says, which is where her nickname 'Foxy' comes from. "You have to be comfortable in your skin and exude confidence."
Born with a cleft lip/palate, Carmit's success has given her the desire to give back to children. She is in the process of founding a non-profit organization, Smile With Me, for the community of cleft children in Los Angeles. Carmit believes in limitless possibility and having overcome her own obstacles, she feels compelled to instill passion and creativity wherever she goes. With her inspirational personality, powerful presence and determination, she is sharing that light with one child at a time.
This Doll's enthusiasm, drive and discipline give her the momentum to succeed in this fast paced world.
Ashley Roberts
Phoenix native Roberts started dancing when she was three, singing when she was nine. Her father was a drummer turned car dealer who had played for The Mamas & The Papas; her mother was a Pilates instructor. Four years ago, just out of high school, she headed for L.A. During previous summers she had come to the West Coast to study modern dance. This time, she was in L.A. for good. Since then she's hooked commercials and appeared in a Counting Crows video. Within six months, she was also a Pussycat Doll. "I honestly didn't know about them but the word of mouth among dancers was awesome."
Noting that when she sings she has a Marilyn Monroe-type voice, she says her onstage character is "flirtatious but innocent. She's a fun free spirit. I guess I'm 'the blonde' in the group but," she adds with a smile, "it ain't natural."
Jessica Sutta
When she tore the ACL in both knees as a teenager while on stage, Jessica Sutta's dream of being a prima ballerina ended. But her dreams of being a dancer were just beginning.
Born and raised in Miami, of Irish-Russian-Polish, Catholic-Jewish heritage, she went to the New World School of the Arts at age 14 to study dance. After being injured, she switched to theater, but told herself that she'd dance again. And she did, dancing in the Miami Heat troupe and being named captain her final year, 2001. As an actress, she was featured as a pill-poppin' Gothic teenager in the drama series "Ocean Ave.," shot in South Florida for audiences from Sweden to South Africa, and in the film Bully directed by Larry Clark.
In 2002, she moved to L.A. and three months later met Antin. "She's sweet, always positive, and very sensitive," says Antin, "but on stage she turns it on."
With her pale skin and dark hair, Sutta's persona echoes a Bettie Page pin-up. From the moment she joined The Pussycat Dolls, she says, "this is where I always wanted to be. I thought The Pussycat Dolls were genius. I am so blessed to be a part of this group."
Melody Thornton
Melody Thornton was a rising young star in hometown Phoenix, singing backup for local artists and performing the National Anthem for the Arizona Diamondbacks while attending college. Her Mexican maternal grandmother had been a singer for mariachi bands; her African-American paternal grandfather was a blues guitarist and her mother was a Mexican folklore dancer. Being the only Latina and African-American in The Pussycat Dolls means a great deal to her. "I think a lot of the audience can relate to me," she says, "and that adds to the Dolls."
The first time she saw The Pussycat Dolls was on Christina Aguilera's "MTV Diary." "I loved the concept." She recorded the show and played it back over and over. Studying that tape paid off. Melody was welcomed aboard in December 2003.
Kimberly Wyatt
Down-home Southern girl Kimberly Wyatt also happens to be, according to Antin, "the sexiest dancer I have ever seen in my life." Says Wyatt, "I'm a lot shyer than most of the girls, but my personality onstage is full-out. I really go for it."
Born in Warrensburg, MO, a tiny farm town near the Ozarks, her father is a trucker and her mother goes on the road with him. Having danced since she was seven, by the time Wyatt was 14 she was earning scholarships to study in New York each summer, from the Joffrey Ballet to the Broadway Dance Center. Graduating high school at 17, she promptly flew to Las Vegas to audition for cruise ship and casino shows. Landing a revue on Royal Caribbean's Explorer of the Seas, then the largest cruise ship in the world, she was able to visit most of Southern Europe.
In 2001, she moved to L.A., despite an offer from the Hubbard St. Dance Co. in Chicago. "All I knew was that L.A. is where dancers got jobs and L.A. was the dot MapQuest led to. My parents thought, 'Oh my God, what is she going to turn into out there?'"
In 2003, Antin was the choreographer for a video for Nick Lachey's solo album when she met Wyatt. Antin asked her that night to join The Pussycat Dolls. "I had only seen a poster for them," Wyatt recalls. "I remember falling in love with the girls. Not many acts let you be sexy and still be about girl power."
"Small town Middle America is different from the coasts," she says, "and all the girls come from big cities. I have a different perspective. They love my stories about towns where the fancy clothing store is Wal-Mart." -Interscope Geffen A&M
Founded by choreographer Robin Antin in 1995, the Pussycat Dolls began as a burlesque dance revue based in Los Angeles, spawned a second revue in Las Vegas, grew into an A-list phenomena with a revolving cast of guest celebrities, and eventually became a recording act with a number one dance hit. It wasn't long after launching its revue that the troupe began attracting actresses and models who wanted to become a Pussycat Doll for a night. Christina Aguilera, Pamela Anderson, Kelly Osbourne, Pink, Britney Spears, Carmen Electra, and Gwen Stefani are just some of the names that donned lingerie and pin-up costumes and joined the Dolls for their flirtatious shows. An appearance in the 2003 film Charlie's Angels: Full Throttle was followed by numerous television appearances, most with Carmen Electra. Capitalizing on the nationwide attention and the addition of former Eden's Crush member Nicole Scherzinger as lead singer, the single "Don't Cha" with special guest Busta Rhymes appeared at the beginning of 2005 and climbed to number two on the pop chart, number one on the dance chart. With help from the Black Eyed Peas' will.i.am and producer Timbaland, the Pussycat Dolls recorded their full-length debut. The A&M label released PCD, a Top Ten hit, in the summer of 2005. David Jeffries, All Music Guide
